Printing & Processing Threads

• Unsharp Masking diffusion material between film and mask - clear or opaque (Yaakov Asher Sinclair)
• Possible allignment problem... (Christian Behr)
• Poly Toner (Christian Harkness)
• Cleaning developer tray (Peter Schauss)
• Type of screen for print drying (Brenda Frezeman)
• dodging/burning masks (enrique)
• Starting Point for Dichro Head B&W... (Christian Behr)
• Localized Flashing (Chris Jordan)
• Light Corner Problem Discovered... Now What? (Christian Behr)
• First time with Cold Head... Multigrade Paper (Christian Behr)
• Different contrasts (ReinierV)
• Shades of gray on a darkroom made B&W print (John Cline)
• Filmy stain on prints (Maia Dery)
• Rocky Schenck (Ted Davis)
• Pt/Pd vs. Silver print (Andrey Vorobyov)
• Lith development problem....... (James Webb)
• Printing difficult Delta 400 Pro negative (Lawrence Impey)
• 40x50 inch prints (Ted W. Simon)
• B/W prints with water rings marking (Han-se Chang)
• Kodak Wratten no of contrast filters (Marc Leest)
• Follow Up to My Print Washing Question (Francis T. Knapik)
• Washing RC and Fiber Prints Together in a Paterson Print Washer? (Francis T. Knapik)
• printing/too gray (Erinn O)
• What is the best distance the safelight should be from the easel and the developing tray? (Ned Finkel)
• Follow Up on Ann's Question on Unsharp Masking and Selective Dodging (Jim Rock)
• Ilford Filters (Kevin Finigan)
• unsharp mask(s)? (Ann Clancy)
• 2-bath fixer system vs. 1-bath fixer system (Ned Finkel)
• Water Spots on Prints Dried With a Drum Dryer (Jim Rock)
• Split printing (Ted Kaufman)
• Subtle print changes disappear? (Conrad Hoffman)
• Polycontrast paper with d5500 (Davidson Gilligan)
• photographic prints of typed lines (peter bg)
• removing parts (ReinierV)
• Neutral grey, f-stops and dichroic units (Marc Leest)
• Multiple Filter Printing? (M. Wylie)
• Michael Smith/Paula chamlee Azo contact Printing Workshop Is On...Interested? (Todd Frederick)
• adding contrast to prints (erica pawlik)
• Azo/Amidol Contact Printing Workshop with MichaelSmith and Paula Chamlee in SF Bay Area: Darkroom needed (Todd Frederick)
• flat paper under enlarger (Mark Vincent)
• flashing (kc)
• split filtration (kc)
• Techniques for distorting or enhancing a B&W print. (Liz Serage)
• Lith Print (Christian Harkness)
• A theorem about reducing double exposure with different filter## to a single exposure (Andrey Vorobyov)
• Drying Fibre Paper without Curling Up (David Sinai)
• MATH FORMULAR FOR ENLARGING (RICK HEMMINGS)
• azo and developers (James Luckett)
• Changing dichroic head filter knobs in the dark (Roger Bird)
• How to print 3x4 on Omega D5XL enlarger? (bill zelinski)
• Printing Delta 3200 tips? (Johnny Motown)
• softer pics (Erinn)
• Ilford fix times (victor fernandez)
• Exposure times too long with multicontrast filters (gert raskin)
• Printing with lens wide open. (bill zelinski)
• Lith prints - strange texture appearing (Jeremy Jeffs)
• need high contrast (stephie d)
• neg. carrier (Erinn)
• What is split filtering (stephie Driver)
• Paper/developer combo for max contrast (Rich Lingg)
• f-stop printing formula (Mark Callf)
• Can you skip the stop when developing prints? (Adam)
• Maximum Size Enlargement Possible (Dick Drake)
• Digitally printing Black & Whites (Lance Potter)
• Superproportional negative reduction vs. low contrast printing (Eric Pederson)
• Split filter printing (r)
• BOND on Unsharp Masks
• enlarging negatives for bigger prints? (Joe Holcombe)
• Masking (Howard Dvorin)
• What does unsharp masking mean? (Wendy Conti)
• Unsharp Masking (Michael Hudson)
• Fixing times different for single weight & double weight papers? (Dan Smith)
• B&W Filter Settings with Omega D5 Super Chromega Dichro Head (Jim Rock)
• Basic VC printing techniques (Dave Ciskowski)
• Conversion of enlarging exposures from aperture to time (Nigel Craig)
• Long soaking in hypoclear? (Eric Pederson)
• Photo Tips (ricardo)
• Yellow stains on fiber prints (Allen Birnbach)
• Lith Printing (Gene Crumpler)
• solarization (Sergey)
• MASKING (Matt Spangler)
• Alkaline fixer for prints to be heat dried (john stockdale)
• Dilute Decktol (Justin Fullmer)
• Using maximum black as a basis for paper exposure? (Werner Van der Cruyssen)
• water as stop (ben)
• silver prints? (sharon oliver)
• workshops (ricardo)
• lith prints with oriental saegull (Chris Tarbet)
• 2 questions, split filtering & paper #'s (Joe H)
• DIY: Contact printing frame (Marc Leest)
• Drying Fiber Base Prints (Greg Corp)
• contrast filters (Celcio)
• filters (fikret pajalic)
• solarization techniques AND sugestions !!!!! (brian gonsalves)
• contrast control (Justin Fullmer)
• exposure vs filter grade for b&w VC paper (Bill Akstens)
• Experience using 2-filter method for VC paper in dichroic (Roger Bird)
• Whats happening to my prints? (Andrew Buckley)
• Warm Tones WITHOUT Having To Use Toners (Jim)
• Flashing VC/RC Paper (Jim)
• Portrait - not getting dark enough blacks. (Scott)
• Cheap Contrast Filters (JB)
• B+W 35mm negative scanning, inkjet printing (Peter Mackay)
• Update on contact printing panoramic negative (Rusty Tews)
• pulling the paper, possible? (middle)
• printing negative image? (Joe H)
• How do I print with a unsharp boundary (Andrew Jones)
• VC filter equivalent Dichroic (Walter D. Godwin)
• Enlarger exposure times / f stop settings (Charlie Griffin)
• Exposure times and split filter printing (Phyllis Kaplan)
• Need to make 30x40s Looking for advice. (Robert Szabo)
• what's your favorite paper & chemistry to make contact sheets with? (Joe H)
• Split Developers vs. Split Grade Printing. (Mani Sitaraman)
• Is digital appropriate? (David Hodgson)
• enlarging/printing to what size on the page (Andrew Johnson)
• Contact printing large negative (Rusty Tews)
• cold light filter question (Bruce Appel)
• Printing variable contrast paper with cold light head (Bruce Appel)
• Need help with a few questions... (Terry Pittman)
• Where do I get AN glass for contact printing? (Tom Bailey)
• B&W Print Processing in Drums (Larry Rudy)
• Printing B&W from Digital Scan (Bob Henry)
• Need anti-fog advice for old Portriga Rapid (Bill Mitchell)
• Avoiding the Halo (Howard Dvorin)
• Tray temperature control (Jon Osing)
• VC Cold Light (Tom Kittel)
• burning in (Daniel Janssen)
• Dust spots (Dusty Negative)
• Unsharp negative mask vs. latent print image bleaching (Doug McFarland)
• Developing problem (Craig Murphy)
• Roto processing Amidol developers (Philip Caithness)
• B&W contact prints from color negatives (John Kilmer)
• printing problem (ben langley)
• How do you make extra large B&W prints (Lisa Levine)
• How to create vignettes (Mark Hillier)
• Printing on B/W Graded Paper with a Dichro Head (Arnie Milowsky)
• Contact printing (Bryan Fleishman)
• Drying down question (Don Karon)
• color enlarger VC papers (shreepad)
• what to do with CYAN (shreepad)
• making b/w contrast printing filters from color enlarger filters (Mike Jumper)
• Split grade printing (Peter O'Sullivan)
• printing workshops (carol maurin)
• Positive development (Marc Leest)
• Making prints from "lantern slides"? (bill zelinski)
• Simplest way to figure enlargement time from contact (Jeff Riehl)
• Why did I get a goldish shiny border on my b&w prints? (Bill Akstens)
• Drying fiber prints on a heated print dryer (Michael Carlo)
• Working with F-stops vs. seconds when printing (Wayne Brown)
• What brand of filters? (Paul Arnold)
• Grey FB prints (Marc Leest)
• SOS... --- ... SOS...novice in the darkroom! (Patricia Arfsten)
• Using Zone VI cold light head w/VC papers (Frank Burtnett)
• printing fibre using TF-4 fix (carol maurin)
• what to do with flat prints (benjamin langley)
• Low contrast with VC paper (Raja Adal)
• Lith printing using non-lith film, paper, and developer. (Sriram)
• Results/comparison of digitally produced prints? (Dominic F. Ciancibelli)
• Response: T400CN (Debbie Hilaire)
• Printing T400CN (Debbie Hilaire)
• Wallet Size Printing (Chet Baxter)
• Archival Digital Prints for Exhibiton (Felicity Rogers)
• Help. Height of enlarger head affects contrast. (Ken Heflinger)
• Print Flashing (Nigel Smith)
• Net Resources on Split Filtration with Ilford MG (Gene Crumpler)
• Developing Ilford MGIV RC paper in Dektol (Arnie Milowsky)
• Timing Accuracy: How Important Is It, Really? (Kevin Krumwiede)
• printing in colors using a bw enlarger (Herbet Camerino)
• dodging and burning (herbet camerino)
• printing with variable contrast papers (Herbet Camerino)
• Multi Contrast filters (Steve Nicholls)
• Bad Developer? (Double Entendre) (Jonathan Danz)
• Aperture of the enlarger... Good for nothing? (Shreepad)
• black & white printing (phil dawson)
• Effects of Enlarger (Rajkumar)
• How to contact print with even borders? (Nacio Brown)
• printing large multiexposures (Diego Braude)
• Pink stain on RC prints (Todd Spitler)
• adding grain at the printing stage (shawn gibson)
• Focus problem (Jane Rice)
• Film and paper flatness question (Scott Flathouse)
• How to cool down developer in a tray (Boris Krivoruk)
• Dilute print developer, over-exposure & snatching (Peter Olsson)
• 3-5 second exposure- What's wrong? (Joe Lacy)
• Printing thin negatives (Russell Ellison)
• Two Fixer Method (Larry Mankin)
• The most pathetic darkroom question ever asked by anyone anywhere ever... (shawn gibson)
• Can the luminous timer dials fog paper? (Andrew Vera)
• Digital Prints to Silver Prints (Felicity Rogers)
• STREAKS AND MARKS on RC Prints during development (David Strachan)
• ilfochrome printing (brad daly)
• Testing Variable Contrast Filters (Harry Pluta)
• Printing technique of Anton Corbijn (david)
• Digital prints (Andy Laycock)
• Convenient, Flat and Safe Drying of FB Prints--Asking Too Much? (Thomas Wollstein)
• Fixing Ilford Paper with Kodak RapidFix (Harry Pluta)
• Printing with variable contrast papers w/o using filters (patrick)
• about zone technic (umutnebioglu)
• temperature control (nick ure)
• toner/paper/dev combo to give "PMK" yellow-green hue to prints (shawn gibson)
• yellow cast to Oriental VC papers (Doug Rhinehart)
• Bleeding blacks (Jim Wright)
• Thin White Lines on Prints (David Owens)
• can i print 6X6 medium format without an enlarger (eric kong)
• Solarizing...tips, ideas, new ways?? (Owen Keller)